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Juliet Stevenson - To whom should I complain_ Did I tell this, who would believe me_ (Isab
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Juliet Stevenson - To whom should I complain_ Did I tell this, who would believe me_ (Isab

In its first iteration, The Shakespeare Portraits (Act. I) captures the presence and spirit of some of the most revered Shakespearean actors of our time, including Sir Ian McKellen, Sir Patrick Stewart, Dame Harriet Walter and Sir Derek Jacobi, amongst other giants of stage and screen. The studio presents ten living portraits, fusing the timeless appeal of portraiture with the emotional depth and intimacy of performance, in an unprecedented and truly personal encounter.

 

These seemingly endless “living portraits” embody the essence of the sitter, revealing their nuances gradually only when lived with for an extended period of time, with hundreds of thousands of possible still moments. Each piece includes an iconic speech curated, in collaboration with the actors, and with guest director Ron Daniels (Royal Shakespeare Company Honorary Associate Director), evoking the profound bond between the performer, their audience and the text - be it a long-aspired-for character, a favourite speech, or a career-defining role. 

 

Captured in a single take using state-of-the-art cinematography, the portraits are then meticulously refined through post-production. Each one-of-one piece is authenticated on-chain, encased in a custom digital frame, and designed to sit seamlessly among traditional artworks in public and private collections.

This debut collection marks a sustainable new path for performance in the art world, combining ethical, artist-led production with emerging technologies and a long-term commitment to the performing arts community.

Medium & Materials
Video, code, computer, UHD 4K display and sensors.

 

Description
A meticulously crafted long-form looped moving portraits, accompanied by performance initiated through interaction.

 

Frame

Included, with optional customisation.

 

Dimensions

75 × 45 cm (29 × 17 in), unframed.

 

Editions

Unique 1/1 Pieces Each + 2 Artist Proofs + 2 Museum Proofs

 

Signature
Digitally embedded sitter signature. Back of frame artist’s signature.

 

Authentication
Certificate issued by authorised body, plus on-chain token.

Year

2023

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Few actors have shaped Shakespeare like Sir Ian McKellen. His performances, spanning over sixty years, carry the weight of a life lived through theatre. Whether as Hamlet, Macbeth, or King Lear, he brings a rare clarity and emotional complexity to every role. Offstage, his global recognition as Gandalf and Magneto is matched by his activism and eloquence as a public figure.
 

In this intimate portrait, McKellen delivers Jaques’s meditation on the stages of life with quiet force. His voice, seasoned, precise, and deeply human, invites us to reflect not just on the words, but on the life behind them.

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©StageBlock_2025_IanMckellen_SAMPLE_ArsalanSattari-Hicks_2025.jpg

Sir Ian McKellen

All the world's a stage...

​StageBlock Studio (2023)

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Sir Patrick Stewart carries within him a rare equilibrium of strength and sensitivity. His Shakespearean work, most notably Macbeth and Prospero, demonstrates a fierce intellect shaped by decades of theatrical devotion. On screen, his portrayals of Picard and Xavier brought dignity to science fiction, expanding the reach of classical storytelling. With his distinct voice and unwavering presence, Stewart stands as a symbol of consistency, craft, and compassion.
 

In Henry V’s rallying call, Stewart delivers not just a call to arms, but a meditation on loyalty. His measured cadence gives the speech the weight of experience, transforming a war cry into something quietly rousing and deeply human.

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©StageBlock_2025_PatrickStewart_SHOWCASESAMPLE_ArsalanSattari-Hicks.jpg

Sir Patrick Stewart

We few, we happy few, we band of brothers... 

​StageBlock Studio (2023)

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A master of the language and rich character development, Sir Derek Jacobi has long been celebrated for his layered, emotionally precise performances. With a career rooted in Shakespeare and defined by roles such as Hamlet and I, Claudius, he brings quiet authority and deep empathy to the stage and screen.
 

In “To be or not to be,” Jacobi turns the familiar into something startlingly intimate. His Hamlet is fragile but resolute, offering reflection over performance. Every line feels freshly unearthed - a conversation with the self that invites us to listen more closely.

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©StageBlock_2025_DerekJacobi_SHOWCASESAMPLE_ArsalanSattari-Hicks.jpg

Sir Derek Jacobi

To be, or not to be: that is the question

​StageBlock Studio (2023)

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Dame Harriet Walter’s career is marked by fearless reinterpretation, bringing modern insight to Shakespeare’s most complex roles. Her portrayals of Brutus, Cleopatra and Lady Macbeth reveal a rare blend of control, vulnerability, and emotional truth.
 

As Prospero in “Ye elves of hills…”, Walter transforms renunciation into revelation. Her voice carries both power and release, reframing magic as burden. It is a farewell rich with clarity, measured, moving, and deeply human.

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©StageBlock_2025_HarrietWalter_SAMPLE_ArsalanSattari-Hicks.jpg

Dame Harriet Walter

Ye elves of hills, brooks, standing lakes and groves...

​StageBlock Studio (2023)

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With quiet intensity and sharp control, Charles Dance is a master of composed power. Known for his formidable Tywin Lannister and a long stage career of dignified roles, his presence is unmistakable — elegant, deliberate, and always charged.
 

In “O for a muse of fire,” Dance speaks with stately conviction. His voice builds the world of Henry V from air and will, turning the prologue into a bold call to imagine. The result is both commanding and curiously intimate — a curtain rising on history itself.

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©StageBlock_2025_CharlesDance_SHOWCASESAMPLE_ArsalanSattari-Hicks.jpg

Charles
Dance

O for a Muse of fire, that would ascend the brightest heaven of invention.

​StageBlock Studio (2023)

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Adrian Lester brings intelligence and emotional precision to every role, from Othello’s fury to Hamlet’s fragility. His performances are rooted in truth, calm on the surface, deeply charged beneath, making him one of the most versatile actors of his generation.
 

In “O, that this too, too solid flesh…”, Lester’s Hamlet aches with restraint. His delivery is clean and aching, resisting collapse while revealing its nearness. The soliloquy becomes not just lament, but a measured reckoning with grief and duty.

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©StageBlock_2025_AdrianLester_SHOWCASESAMPLE_ArsalanSattari-Hicks.jpg

Adrian
Lester

O, that this too too solid flesh would melt,
Thaw, and resolve itself into a dew!

​StageBlock Studio (2023)

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Renowned for meticulous detail and transformative depth, Sir David Suchet embodies each role with forensic precision and rich complexity. Best known as Agatha Christie’s Hercule Poirot, his stage and screen work reveal a profound versatility, illuminating the quirks and depths of every character with unwavering authenticity.
 

In “tomorrow, and tomorrow, and tomorrow…” from Macbeth, Suchet delivers a mesmerizing meditation on ambition and loss. Though new to the role, his Macbeth unfolds as an intimate descent into a mind unraveling beneath unfulfilled dreams and consuming remorse. His voice carries the weight of universal lament — a chilling reflection on mortality and the fragile emptiness of power, leaving a haunting echo of life’s impermanence.

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©StageBlock_2025_DavidSuchet_SHOWCASESAMPLE_ArsalanSattari-Hicks.jpg

Sir David Suchet

Tomorrow and tomorrow and tomorrow...

​StageBlock Studio (2023)

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A true master of emotional expression, Juliet Stevenson is celebrated for performances that resonate with honesty and vulnerability. From contemporary to Shakespearean roles, she embodies complex women with raw intensity and heartfelt nuance. Whether on stage or screen, most memorably in Truly, Madly, Deeply, her dedication to character reveals layers of truth beneath every gesture.
 

In “O, it is excellent to have a giant’s strength…” from Measure for Measure, Stevenson’s Isabella wrestles with justice and mercy in a stirring meditation on power and conscience. Her voice carries both trembling fear and quiet defiance, transforming the speech into an intimate exploration of moral complexity and human resilience.

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©StageBlock_2025_JulietStevenson_SHOWCASESAMPLE_ArsalanSattari-Hicks.jpg

Juliet
Stevenson

O, it is excellent to have a giant’s strength, but it is tyrannous to use it like a giant...
​StageBlock Studio (2023)

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A vibrant and multifaceted performer, Simon Callow is celebrated for his ebullient energy and profound grasp of both comedic and tragic roles. Known for his Dickensian characters and Shakespearean leads, his performances radiate warmth, wit, and infectious enthusiasm. As a distinguished writer and director, Callow’s contributions have made him a beloved figure in British theatre and film.
 

In Falstaff’s “What is honour?” speech, Callow infuses the rogue’s humor and skepticism with his trademark warmth and sharp wit. His delivery highlights Falstaff’s irreverence while opening a space to reflect on loyalty, courage, and human folly. The result is a richly layered portrait, playful, insightful, and utterly alive, of a man who values life’s pleasures over lofty ideals.

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©StageBlock_2025_SimonCallow_SHOWCASESAMPLE_ArsalanSattari-Hicks.jpg

Simon
Callow

What is honour? A word. What is in that word honour? What is that honour?

​StageBlock Studio (2023)

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With sharp wit and fearless intensity, Frances Barber brings a mesmerizing edge to every role. A mainstay of stage and screen, her Shakespearean portrayals, especially in Antony and Cleopatra and King Lear, showcase her daring emotional charge. Equally compelling in contemporary work, Barber’s blend of dark humor and raw power makes her performances unforgettable, earning her a reputation as a formidable force in British theatre.
 

In Cleopatra’s defiant “Give me my robe, put on my crown…”, Barber embodies the queen’s grandeur and fierce resolve. Her portrayal transforms Cleopatra’s final moment into a commanding declaration of sovereignty and self-determination, capturing an indomitable spirit that celebrates life, love, and legacy with passionate clarity.

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©StageBlock_2025_FrancesBarber_SHOWCASESAMPLE_ArsalanSattari-Hicks.jpg

Frances
Barber

Give me my robe. Put on my crown. I have Immortal longings in me.

​StageBlock Studio (2023)

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Creative Director

Guest Speech Director 

Director of Photography

 

Producers for StageBlock 

Arsalan Sattari-Hicks

Ron Daniels

Roberto Vivancos

Arsalan Sattari-Hicks

Francesco Pierangeli

Colourist 

Sound Recordists 

Sound Editor 

Production Assistant 

Make-up 

Gaffers 

 

Backstage Content 

Special thanks to 

Gabriel Xavier

Joe Brooks

Danny Hilton

Kelsey Rushworth

Jake Savage

Gerard Rodrigues

Eleanor Sattari-Hicks

Hanni Wellian

Manuel Suarez

Santiago Gento

Robert Boulton

Andreas Alegria

Cieranne Kennedy Bell  

Graham Hicks

Neal Laxton 

Press

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"It’s a bold, visionary new idea for the digital age... I cherish the notion of, say, Salvador Dalí’s painting of Olivier as Richard III hanging on a gallery wall alongside the mesmerising image of McKellen looking on at one in watchful fascination." - Michael Billington, The Guardian

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"There’s a longstanding practice of an era’s great Shakespeare actors having their portraits documented by their painterly peers... William Hogarth...Thomas Lawrence...and perhaps most famously, John Singer Sargent presented a disturbing vision of Ellen Terry as Lady Macbeth... [StageBlock] picks up on the tradition, but updates it for our digital age... The result is uncanny, playful, and futuristic." - Richard Whiddington, Artnet News

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"Immortalising the greatest Shakespearean actors of our time through portraits that can blink, breathe and rattle off soliloquies... For hundreds of years, artists have captured the theater’s greatest actors through portraiture. The new show, titled “The Shakespeare Portraits (Act I),” aims to update the practice by bringing the thespians to life using state-of-the-art technology." - Julia Binswanger, The Smithsonian Magazine

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